Welcome to RED TECH – a series of videos where we provide overviews of various RED products, features, and best practices. Everything from camera basics to tips-and-tricks to post production know-how and third-party tool integrations. Check back often for future additions to the RED TECH series.
Episode List:
- ARSENAL | CAMERA SYSTEMS | 4K
- ARSENAL | SENSORS | 4K
- Assignable Keys
- Black Shade Calibration
- Core Components
- DSMC2 Back Focus | 4K
- DSMC2 Camera Prep [Part 1]
- DSMC2 Camera Prep [Part 2]
- DSMC2 Camera Prep [Part 3]
- DSMC2 POWER
- Formatting
- GEMINI Sensor with Dual Sensitivity
- Gimbals
- G-Technology G-Dock and File Format
- Handheld Option
- HDR
- HOTKEY SETUP - Quick Tip
- Image Processing Pipeline [IPP2] Overview
- In–Camera User Interface [IPP2]
- ISO Settings
- KOMODO | Global Shutter | 4K
- KOMODO | Lens Mount/ AF | 4K
- KOMODO | LINK ADAPTOR | 4K
- KOMODO | Overview | 4K
- KOMODO | Post Workflow | 4K
- KOMODO | RED CONTROL | 4K
- KOMODO | SDI Port Safety - Quick Tip
- KOMODO | User Interface (UI) | 4K
- Lens Mounts
- Low Light Capture
- MENU SHORTCUTS - Quick Tip
- Optical Low-Pass Filters (OLPFs)
- Post Workflow | Adobe Premiere Pro
- Pre-Record
- PROXY WORKFLOW – Quick Tip
- REAL-TIME 8K WORKFLOW WITH NVIDIA GPUs
- RED RANGER vs DSMC2
- RED RANGER with MONSTRO 8K VV
- REDCINE–X PRO [IPP2] Overview
- REDCODE MATTERS
- REDCODE RAW
- Resolution Matters | Supersampling
- RESOLUTION RAW REDCODE
- STILLS FROM MOTION - Quick Tip
- WHAT IS RED TECH
- Wireless Control
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