This article explains how to get started with your RED DSMC2 camera.
Register the Camera
Fill out the Register your Camera Form.
The Benefits of Registering your Camera with RED are:
- Activate your camera BRAIN warranty
- Receive full access to service and technical support
- Eligibility for upgrade program opportunities associated with the product
Protect Your Gear
Know Your Resources
Some RED BRAINs ship as parts of kits that may include third-party products. To get support for these products, please see the manufacturer websites:
- IDX - http://www.idxtek.com/red-raven-kit/#service
- G-Technology - https://support.g-technology.com/
- Sigma - https://www.sigma-global.com/en/about/world-network/
- Nanuk - https://www.nanuk.com/contact/
Prepare the Camera
Verify that the camera has the latest firmware and update if necessary.
Calibrate the Sensor
Calibrate the sensor at the recording temperature. Recalibrate after extreme changes in temperature or exposure, or after a firmware upgrade.
Perform a secure format of the SSD in the camera, or ensure that the SSD has sufficient available storage space for your intended recording duration.
Watch & Learn
Define your Project
Select a Resolution and Frame Size
Optimal quality is obtained using the highest resolution available, even if only lower resolution playback is needed. Select an aspect ratio or frame guide that matches or encompasses the intended output frame.
Select a File Format
Select a file format. The camera can record to: R3D (REDCODE RAW), Apple ProRes codecs, and Avid DNxHD codecs.
Select a REDCODE
If recording to R3D files, select a REDCODE® setting. Typically, use a REDCODE of 7:1 for general purpose shoots, 5:1 for feature films, and 3:1 for stills. Selecting a REDCODE of 8:1 or higher is commonly used to enable higher frame rates for slow motion and HDRX®, or when storage space is limited.
Watch & Learn
Select Frame Rates
The project time base defines the playback rate. Use 23.976 fps for cinema, 25 fps for PAL and 29.97 fps for NTSC. The recording frame rate usually matches the playback rate, but can be higher for slow motion playback.
Watch & Learn
Set Exposure and Focus
The camera will default to ISO 800 and can be adjusted to best suit your image capture needs. Adjust the exposure and lighting (or ND filters) to match. RED recommends adjusting the exposure only for creative control with motion blur.
Check exposure by using the in-camera goal post tool and Exposure false color mode (link to sections below). Assess exposure using the full range of potential lighting and subject framing that is anticipated for a given scene.
These are vertical bars on each side of the image histogram; an optimal exposure minimizes red in both bars, but particularly in the right bar.
The Exposure false color mode indicates exactly which image regions are triggering the goal posts, and appears overlaid on the image as purple in the shadows and red in the highlights. If red is overlaid within the subject of interest, or anywhere except lights and direct reflections, then the image is likely overexposed. If purple is overlaid on key image details that are not in the shadows, then the scene is likely underexposed.
Use the in-camera Magnify and Focus tools to gauge subject sharpness.